POST BOP On the C7 in measures 21 and 22, he plays the yin scale again. This is known as, The ensemble performing "Now's the Time" is, The pianist on this recording of "Tempus Fugue-It" is, This now-popular type of ensemble, performing "Tempus Fugue-It" and pioneered by the pianist, is known as a, This composed-out portion of "Tempus Fugue-It" is known as, In the beginning of "Tempus Fugue-It," the pianist, Cool jazz derived its fondness for restrained timbre and light vibrato from. Barney Bigard brought New Orleans woody clarinet sound. - hotter style that evolved into hard bop He actively performs around the New York metropolitan area and is the author of the Hal Leonard publication "Visual . They sometimes shared credit. The name Rhythm-a-Ning is probably a playful mispronunciation of rhythm-ing, and that deliberate stumble sums up the tunes aesthetic. 12-bar blues. G 4. Explain. Performed by? Has jabbing chords and interlocking riffs. Time Out (1959) first jazz album to sell 1 million copies, "elevating the art of jazz" It is based in part on Jerome Kern's "All the Things You Are", Dizzy Gillespie played in the big band led by _____, composing the tune "Pickin' the Cabbage" for the group, ______ is given credit for the new drumming technique known as "dropping bombs.". Review Parker's statements about Hemingway's short stories (lines 42-50, 55-78). The Poet. New emphasis on centrality of the groove. He played the, The first instrument that you hear at the beginning of "Vendome" is, The combination of classical and jazz influences in "Vendome" suggest it should be classified as, The vibes player on this recording of "Vendome" is. Do you agree with Parker's evaluation of Hemingway's short stories? Orchestra is known to be a large instrumental ensemble usually made of classical music which I believe the best description of the performing ensemble in Dance of the Youths and Maidens from Part I of Stravinsky's The Rite of Spring.Considered Stravinsky's most sensational achievement, The Rite of Spring is a masterpiece that is clearly planned and perfectly controlled, yet leaps past . Hot 5 and Hot 7 (1925-8): 65 tunes that redefined jazz: shift from collective to individual improv, from melodic paraphrase to harmonic improv, away from ragtime forms to blues and popular song form; "Heebie Jeebies" (1926), "Hotter than That" (1927), "West End Blues" (1928). How many twelve-bar blues phrases are heard in this excerpt? Click the card to flip . Typically toured constantly, didn't record, and were under constant financial pressure. The opening passage of "Rhythm-a-ning" features. -Mingus worked with and expanded conventional forms, adding effects from gospel, ragtime, bop, classical music, and other sources. Davis's sparing, poignant solos contrasted with Coltrane's virtuosity. Wrote some riffs to maintain order. But when the chord changes to F7 in measure 23, Monk keeps playing the yin scale. No one can agree what time signature Row Row Row Your Boat is in. Among the techniques that Wes Montgomery developed was(were), playing solo lines with his thumb and the use of octaves, This improvised solo in this excerpt from "A Night in Tunisia" begins with, The texture at the beginning of "Vendome" is, alternation between a fugue and a popular song, The extended solo improvisation without accompaniment in this excerpt from "Autumn Nocturne" is called, In his last passage in this excerpt from "Autumn Nocturne," the soloist makes striking use of. In the wake of bebop, jazz composition in the 1950s, supported composers who did not necessarily work as instrumentalists You can improvise over any string of dominant chords going around the circle of fifths by just alternating the yin and yang scales. Learn vocabulary, terms, and more with flashcards, games, and other study tools. Wrote musical ideas in isolation and composed in collaboration with other musicians. - wrote to highlight individuals: balanced ensemble sections with improvised solos (fathom), an abrupt, two-note ending to a melodic line, it was performed by small combos rather than big orchestras, To weed out inexperienced improvisers, jam sessions would often, a Harlem jam session spot where bebop was founded, Drummer Kenny Clarke shifted the pulse from the bass drum to the, Kenny Clarke derived his nickname, "Klook," from, his combined snare drum and bass drum hits, Bebop was known for the "flatted fifth," which was. improvising with scales or modes over very few chords, At age nineteen, Miles Davis was hired to play with. All of the following are true of Jo Jones except. What bebop standard does the pianist reference with the three-note motive heard toward the end of this excerpt? Wrote for his specific musicians and gave them each a unique sound. Had confusing scores with no record left behind. Was part of a vaudeville show and ended up stranded in Oklahoma City, where he joined the Blue Devils. It almost sounds like a nursery rhyme. From the 1950s to the 1970s, Gil Evans had a long working relationship with the following musician: George Russell wrote a book on music theory titled, Lydian Chromatic Concept of Tonal Organization. The melancholy mood of "Blood Count" reflects which situation? Which of the following is true of the Miles Davis Nonet? Dizzy Gillespie, who died in 1955, had his career cut short by his addiction to heroin, Norman Granz's concerts were rowdy and competitive affairs, dismissed by critics as vulgar and incoherent, This excerpt of "Now's the Time" begins with the sax repeating a short melodic fragment. -the drummer accents the backbeat. emilyriordan99. Miles Davis gained experience in a new way of improvising while working on what project in France? 3. Participatory music vs presentational music. Usually the club would hire a rhythm section and have a long line of horn players waiting their turn to play. What was the Harlem Renaissance, and what role did jazz play in it? Had hard times later. M-Base= Macro-Basic Array of Structured Extemporization Both are humanly engineered; both are conceptual and auditory, and these factors have been . The two parts of the piece were separated by an open-ended 12-bar blues, during which tenor saxophonist Paul Gonsalves played 27 choruses while a woman in the audience danced. todd j vasos political party; He then chases quickly around the circle of fifths through B7, E7, A7, D7, G7, C7 and F7 to finally land back home on Bb four bars later. In 1998, senator John Glenn participated in a Nasa mission. Anthony Braxton/Max Roach: "Spirit Possession", - style: hard bop/fusion 1 LWBK942-FM.qxd 6/25/11 8:45 AM Page x . This paper is an analysis of Chick Corea's improvisation on the Thelonious Monk composition "Rhyth-a-ning," itself based on George Gershwin . Study with Quizlet and memorize flashcards containing terms like What best describes the piano's playing style in this work?, Listen to this excerpt from the first section of Still's Suite for Violin and Piano, then drag the words to complete the sentence below., Which of the following statements correctly describe the opening section of this movement? Contained all the attributes that he brought to jazz. In the beginning, the two horns play the same rhythm harmonized. Rhythm-a-Ning, 1945. Reyna Gordon, Ph.D., lead author of the study, says the findings make sense when you consider the similarities between speech and musicfor example, they each contain rhythm: "In grammar, children's minds must sort the sounds they hear into words, phrases, and sentences, and the rhythm of speech helps them to do so. - huge dark sound with almost no vibrato Ensemble: The E and A-sharp are teeth-grindingly dissonant against F7. I call this collection of pitches the yin scale. Cootie Williams (trumpet), Sam Nanton and Juan Tizol (trombones), Johnny Hodges (alto sax/clarinet), and Harry Carney (bari sax). -Fats Waller. What happens underneath the saxophone solo? incorporated techniques such as polyphony, stride piano, short breaks, and cadenzas Its so wrong, its right! Which of the following is true of Gil Evans? When employed properly, the different literary devices help readers to appreciate, interpret and analyze a literary work. Cool Jazz: 9 ppl; relaxed tempos; introspective improv- lyricism over virtuosity, greater use of musical space; greater compositional complexity- expanded harmonic palate, unorthodox phrases and meter changes. It is using all available musical styles and techniques as a vehicle for creative expression, and the belief that experience shapes each piece every time it is heard or played, From a historicist perspective, compare and contrast Wynton Marsalis' "The Pearls" with Jason Moran's "You've Got to be Modernistic.". ellieea01. The Harlem Renaissance (1922-30) was the heart of a movement to elevate black culture. Published by at June 22, 2022. In measure 24, Monk finally resolves to the expected F7 chord, but with a classic Monk-ian cluster voicing that hammers out B naturals in octaves. -Ella Fitzgerald As you might know, "Rhythm-a-Ning" is Monk's best known "Rhythm Changes" composition - the chord progression of which is based on George Gershwin's 1930 32-bar, AABA standard "I Got Rhythm", from which countless tunes have been derived and recorded by countless artists of countless genres. For twenty years cowboys they were paid $90 or less for the two- or three-month journey drove cattle north on the Chisholm Trail. For example, considering de Kooning's experiences enables us to generalize about other immigrants' lives at the time. Then, in measures six and seven, he plays the riff again, but he shifts it two beats later, so the accents fall differently. Usually when Monk writes a melody that only obliquely relates to the underlying chords, it sounds conspicuously far out: think of Evidence or Criss-Cross. But Rhythm-a-Ning doesnt sound far out at all. For each of the following sentences, cross out any word that has an error in capitalization and correctly write the word above it. Intellect says that it should sound weird, but intuition says it makes perfect sense. Stride piano. Which Swing Era bassist does this describe: used substitute chords, solos are freely melodic rather than walking, played with speed and flexibility, attractive timbre, and spent most of his brief career (1939-1941) with the Ellington band? When the second theme returns in the recapitulation, it's transposed to (G, D, g, E) 3. Guiding Questions 2. MODAL JAZZ Other: popularized scat singing, expanded repertoire beyond that of New Orleans jazz- incorporated Tin Pan Alley, blues, - pianist, composer, arranger (1st impt in jazz) What is the instrumentation of the arpeggiated theme heard at the outset of this excerpt? These same six pitches also comprise five other whole tone scales: C, D, E, G-flat, and A-flat. Both 33 1/3- and 45-rpm vinyl records were accepted quickly. Features Django Reinhardt on guitar. wartime makes big bands less financially viable Thelonious Monk - Rhythm a Ning (live) Brent Vaartstra is a professional jazz guitarist and educator living in New York City. He is the head blogger and podcast host for learnjazzstandards.com which he owns and operates. playing inside. Which of the following is true of the master take of Charlie Parker's "Ko-Ko" ? Survey of Jazz Flashcards Midterm 2 Chapter 9, Survey of Jazz Flashcards Midterm 2 Chapter 12, Byron Almen, Dorothy Payne, Stefan Kostka. Most of the following items contain one or two errors in capitalization. - late 60s: experimented with rock-oriented rhythms and electronic instruments b. price of candy While one horn player was soloing, others might start playing a harmonized riff, and each had to find a note that wasn't already being played--extended chords. Cootie Williams, Lawrence Brown, Paul Gonsalves (tenor), Harry Carney (bari). Could go as long as a half an hour. After Duke Ellington, who of the following is the most performed of all jazz composers? Each of these short fragments is known as a(n). fretless bass, proponent of traditional/historicist jazz Rhythm a Ningest une composition du pianiste et compositeur de jazz Thelonious Monk. The B section of Rhythm-a-Ning is based on the whole tone scale, which Monk used more often and more creatively than any other jazz artist. What does the Well-Tempered Clavier sound like in actual well temperament? - form: 12 bar blues. Monk also recorded this strange alternative version with the Jazz Messengers. -the saxes and brass play on block-chord texture. Its not as difficult to play as it sounds. Ellington rewrote long versions of old pieces and wrote film music. List the three stylistic periods of John Coltrane, and give a representative recording for each. Had written arrangements by Neil Hefti and Thad Jones. Which of the following is true of Charlie Parker's musical works during the 1950s? Davis did not show the arrangements to the other musicians until they arrived at the studio. Listen to his comping behind Charlie Rouse's tenor sax solo; no one . She articulated similar to Lester Young's solo style. a. others' feelings George Russell wrote "Concerto for Billy the Kid" to highlight the following soloist: Thelonious Monk's compositions usually featured which of the following form(s)? His band was the epitome of KC style: riff-based head arrangements, driving yet relaxed sense of swing, retained emphasis on improv, dramatic dynamic contrast without losing drive, musical energy that builds to a climatic shout chorus ("One O'Clock Jump" (1937)). -Coleman Hawkins. He used his skill at piano, drums, and theory to teach other musicians the new music. d. cutting grass. Lindsey_Nance1. What did Charlie Parker earn when his composition "Now's the Time" was released as the rock and roll tune "The Hucklebuck" ? Trombone and electric guitar Eddie Durham was an arranger. Boplicty, by the Miles Davis Nonet, (on Spotify or Youtube) begins with a long piano introduction. head arrangements Plural: The monsters\underline{\text{monsters}}monsters of the deep are\underline{\text{are}}are made: - 1980s and 90s cont push limits- incorp hip hop and rap elements, cool jazz, arranger; considered one of the top jazz arrangers, most notably for work with Miles Davis, baritone sax; did majority of the writing of "Birth of the Cool," leading figure in West Coast jazz. no tonal center is implied by the changes. Extended pop song AABA, big band jazz. Later: Jimmy Blanton=bass. Decide which form of the vocabulary word in parentheses best completes the sentence. Widely considered as one of the most important musicians in jazz - he is one of only five jazz musicians to be featured on the cover of Time - Monk had a unique improvisational style and made numerous contributions to the standard jazz repertoire . To make it sound bigger, Williams had one of the trumpeters play with the saxophone section, using a mute to help blend. Charlie Parker was crucial for linking the modernist complexity of bebop with, Bebop soloists were inspired by the fluid, discontinuous phrasing of, Drummer Kenny Clarke shifted the pulse from the bass drum to the, This talented trumpet player was also the intellectual force behind bebop, The musical innovations of bebop grew out of. - hotter style that evolved into hard bop Monks comping behind Charlie Rouse is even crazier. c. taking liberties with tone qualities (horn players imitating the sound of the human voice) d. Jimmy Rushing on vocals. -Small group, swing, 32-bar AABA. "My Favorite Things" In the opening of this excerpt, the horns play an intricate melody over two choruses. - features: theme phrase, from James P. Johnson's A strain (see Chapter 5), recurring throughout; descending chromatic chords in B strain, from Johnson; harmonic cycles within the "C" and "D" strains; disappearing and then returning triple meter in "D" strain, - style: contemporary Why did John Coltrane's recording of "Chasin the Trane" divide his audience? June 9, 2022 . an abrupt two-note ending to a melodic line. He worked exclusively as a composer-bandleader, not as a instrumentalist. How does the playing of the rhythm section change between the two choruses (00:33) The bass switches from an ostinato to a walking bass. Im sure he listened to plenty of late Romantic and modern classical music and drew ideas from it, but I believe that the core of his harmonic concept comes straight from the blues. Bubber Miley, "Tricky" Sam Nanton, and Harry Carney (baritone sax, deep and rich) were key unique players. The 6/4 chord in the excerpt sounds as if it's preparing a (cadence/cadenza/modulation/both a cadence and a cadenza) 1. Which of the following is true of Lennie Tristano? Quis autem velum iure reprehe nderit. third stream quartet: vibes, piano, bass, drums; very professional, hard bop drummer and bandleader known for his unique drumming style of dotted eighth and sixteenth note pattern that guided solos; also extended drumming techniques- high hat stand, used elbows, hard bop pianist who composed memorable, singable melodies and brief catchy phrases over long bebop lines with a proactive comping style that guided musicians through solos, hard bop trumpeter who played with the Max Roach Quartet; conveyed a relaxed feel even on the most intricate and energetic melodic figures; played long fluid lines moving gracefully through chord progressions, along with Kenny Clarke, was an innovator of bebop drumming- coordinated independence; also part of hard bop and avant garde ("Spirit Possession"), influential pianist, composer and bandleader with a uniquely understated, intellectual style
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